Occasional Papers
- Bragança, Alfred. 1964. Ancient Names for Goa. In: The Discovery of Goa. Pp. 7-9.
- Bragança, Alfred. 1964. Song and Music. In: The Discovery of Goa. Pp. 41-53.
- Coehlo, Victor A. 1977. Connecting Histories. Portuguese Music in Renaissance Goa. In: 3./, Borges, Charles J. (ed.). Goa and Portugal. Their cultural Links. Pp. 131-147.
- Cruz da, E. 1994. A Study ofDeknnis. In: Boletim da Institute Menezes Braganc;:a. No. 171. Pp. 35-55.
- Desai, S. S. 1988. An ethnological Study ofGoan Society. In: Shirodkar, P. P. Goa: Cultural Trends. Pp. 34-45.
- Kale, Pramod. 1999. Tiatr. Expression of Live Popular Culture. In: Dantas, Norman ( ed. ). The Transforming of Goa. Pp. 137-167.
- Kamat, Pratima. 1988. Political Life ofninteenth Century Goa as reflected in its Folk Songs. lit In: Shirodkar, P. P. Goa: Cultural Trends. Pp. 229-242.
- Kapurkar Devendra. 1999. Withering Goan Hindu Folk Theatre Forms. In: Dantas, Norman, (ed.). The Transforming ofGoa. Pp. 168-172.
- Mascarenhas, Mira. 1988. Impact ofthe West on Goan Music. In: Shirodkar, P. P. Goa: Cultural Trends. Pp. 189-204.
- Mascarenhas, Mira. 2002 (1989). The Church in eighteenth Century Goa. In: Souza de, Teotonio R. (ed.). Essays in Goan History. Pp. 81-101.
- Menezes, Anne. 1987. Transition in Goan Villages since Liberation. In: Boletim da Institute Menezes Bragança. Nr. 152. Pp. 9-15.
- Newman, RobertS. 1999. The Struggle for Goan Identity. In: Dantas, Norman (ed.). The Transforming of Goa. Pp. 17-42.
- Newman, RobertS. 1999. Transitional Colonial to Bourgeois Capitalist. In: Dantas, Norman (ed.). The Transforming of Goa. Pp. 68-90.
- Pereira, José / Martins, Micael. 1984. Goa and its Music. No. 1. In: Boletim da Institute Menezes Bragança. No. 144. Pp. 75-82.
- Pereira, José / Martins Micael. 1984. Goa and its Music. No. 2. In: Boletim da Institute Menezes Bragança. No. 145. Pp. 19-112.
- Pereira, José / Martins, Micael. 1987. Goa and its Music. No. 3. In: Boletim da Institute Menezes Bragança. No. 153. Pp.89-108.
- Pereira, José / Martins, Micael. 1987. Goa and its Music. No. 4. In: Boletim da Institute Menezes Bragança. No. 154. Pp. 41-48.
- Pereira, José / Martins, Micael. 1988. Goa and its Music. No.5. In: Boletim da Institute Menezes Bragança. No. 155. Pp. 41-72.
- Pereira, José / Martins, Micael. 1988. Goa and its Music. No. 6. In: Boletim da Institute Menezes Bragança. No. 156. Pp. 25-40.
- Pereira, José / Martins Micael. 1993. Goa and its Music. No.7. In: Boletim da Institute Menezes Bragança. No. 169. Pp. 67-77.
- Pereira, José. 1980. Types of Konkani Songs. In: Indica, Vol. 17. Nr. 2. Pp. 123-137.
- Pereira, José. 1992. Literary Konkani. A brief History.
- Robinson, Rowena. 1998. Encounter and Engagement: The socio-political Context of Conversion. In: Conversion, Continuity and Change. Pp. 32-63.
- Robinson, Rowena. 1998. Hindu Kinship Terminology and Christian Kinship Terminology. In: Conversion, Continuity and Change. Pp. 104-105.
- Robinson, Rowena. 1998. Ceremony and Conflict in the Church. In: Conversion, Continuity and Change. Pp. 184-209.
- Rodrigues, Lucio A. 1975. The Indo-European Miscengenation. In: Boletim da Institute Menezes Bragança. No. 108. Pp. 21-37.
- Sa de, Bailon. 1994. The Genesis ofPortuguese Discoveries and their Influence on Indian Culture. In: Souza de, Teotonio (ed.). Discoveries, Missionary Expansion and Asian Cultures.zt1 Pp. 65-75.
- Shirodkar, P. P. 1997. Socio-cultural Life in Goa during 16th Century. In: Borges, Charles J. (ed.). Goa and Portugal. Their cultural Links.Pp. 23-40.
- Silva Gratias da, Fatima. 1996. Goan Women as reflected in their Customs and Folklore Traditions. In: Kaleidoscope of Women in Goa. Pp. 48-88.
- Silva Gratias da, Fatima. 1997. The Impact of Portuguese Culture in Goa: A Myth or Reality. In: Borges, CharlesJ. (ed.). Goa and Portugal. Their cultural Links. Pp. 41-51.
- Souza de, Teotonio. 1994. Goan Village. Economy and Life. In: Goa to me. Pp. 32-68.